Showing posts with label Colin Hunter. Show all posts
Showing posts with label Colin Hunter. Show all posts

Tuesday, August 26, 2014

Wurundjeri Stories Interpretive Signage Trail Unveiling Event


I was invited to attend the unveiling of Wurundjeri Stories, an interpretive signage trail, at Pound Bend Reserve in Warrandyte State Park, Victoria.


On Thursday 14 August 2014 Wurundjeri Elders Uncle Colin Hunter jr, Aunty Alice Kolasa and Aunty Kitty Coombes together with Wurundjeri artist Mandy Nicholson took turns in unveiling the signs and reading the stories.

Each sign shares topics that relate to the Wurundjeri history, culture, traditional life and people associated with this sacred site.


Womin-jeka Wurundjeri Biik
Welcome to Wurundjeri Country


Womin-jeka (Welcome) to Pound Bend, a central living and gathering place for the Wurundjeri people from time immemorial. The Wurundjeri people welcome you to the sacred site and in turn ask that you respect and care for this country.

'Wurundjeri Stories' is a yerrin barring (bush path) comprising six interpretive signs located along the river path, moving upstream. This trail has been developed in partnership with Wurundjeri Elders to reflect their history, culture and traditional life at Pound Bend. Each sign includes a section entitled 'Bunjil's Challenge' offering activities for children.


The sign at the start of the trail:
'Womin-jeka Wurundjeri Biik Welcome to Wurundjeri Country' depicts Figures in Possum Skin Cloaks by William Barak, 1898 Courtesy of the National Gallery of Victoria.

© Barbara Oehring 2014


Frank O'Neill plays the didgeridoo.

© Barbara Oehring 2014


Uncle Colin Hunter jr.

© Barbara Oehring 2014




Information guides 'Wurundjeri Stories at Pound Bend' were available for visitors to take home.

© Barbara Oehring 2014


Some of the gathering.

© Barbara Oehring 2014



© Barbara Oehring 2014



Aunty Kitty and Aunty Alice unveil the first sign of the trail.

© Barbara Oehring 2014


Walking along the trail.

© Barbara Oehring 2014



Mandy Nicholson observes a pair of Sulphur-crested Cockatoos above.

© Barbara Oehring 2014




© Barbara Oehring 2014




Mandy speaks about Wurundjeri Bush Tucker, Medicine and Tools.
Artwork: Traditional Tools and Bush Tucker by Mandy Nicholson, 2014.

© Barbara Oehring 2014



© Barbara Oehring 2014



© Barbara Oehring 2014



© Barbara Oehring 2014



© Barbara Oehring 2014


Aunty Kitty Coombes and Aunty Alice Kolasa at the end of the Wurundjeri Stories Interpretive Signage Trail Unveiling event. 

© Barbara Oehring 2014



The project was a collaboration by Manningham City, Wurundjeri Tribe Council, Parks Victoria, Office of Aboriginal Affairs Victoria and Manningham Reconciliation.



Sunday, May 13, 2012

COLD EELS AND DISTANT THOUGHTS

COLD EELS AND DISTANT THOUGHTS is an exhibition at Monash Gallery of Art by eight Aboriginal male photographers on Aboriginal men.

On Saturday 14 April 2012 I attended the artist and curator talk which led to the opening of the exhibition by Gary Foley, Aboriginal Gumbaynggir activist, academic, writer and actor.

Welcome to country was performed by Wurundjeri Elder Colin Hunter jr.

Uncle Colin Hunter
© Barbara Oehring 2012

The exhibition includes work by Michael Aird, Mervyn Bishop, Adam Hill, Gary Lee, Ricky Maynard, Peter McKenzie, Michael Riley and Jason Wing. It explores many of the stereotypes associated with Aboriginal masculinity from a range of perspectives, including documentary and conceptual practice.


Legendary photographer Mervyn Bishop with his photograph of prime minister Gough Whitlam pouring sand through the hands of Aboriginal Gurindji elder Vincent Lingiari. Bishop's photograph symbolised the return of land to its traditional owners. It became one of the defining images of the 1970s.

Mervyn Bishop
© Barbara Oehring 2012
Jason Wing is one of the younger generation artists included in the exhibition. Here he is with his 'An Australian government initiative self-portrait'

Jason Wing
© Barbara Oehring 2012

Cold eels and distant thoughts is curated by Indigenous curator and writer Djon Mundine OAM. "The central intention of the exhibition is to see Aboriginal men as just normal males with varying attributes, attitudes, fears, and hopes and dreams for a better future."

The catalogue informs that the title for the exhibition comes from a statement by Afro-American boxer Jack Johnson (1878-1946). When asked why white women were attracted to black men, Johnson amusingly and cryptically replied: 'We eat cold eels and think distant thoughts'.

The exhibition opening was a joyous event with the photographers happily snapping each other. They asked me to do this group shot.

Michael Aird, Jason Wing, Djon Mundine, Adam Hill, Mervyn Bishop, Gary Foley
and friend Margaret
© Barbara Oehring 2012

Destiny Deacon, photography, video, installation & performance artist attended the opening of Cold eels and distant thoughts.

Destiny Deacon
© Barbara Oehring 2012
Cold eels and distant thoughts at Monash Gallery of Art until 3 June 2012.